About CCAC

A dyed in the wool Chicagoan, Arkey was raised and educated on the South side, in Englewood. She has studied anthropology at Loyola University, Northwestern University and York University in Toronto, Canada. While her work at Chicago Culture Lab leverages her professional experience in nonprofit fundraising and museum administration, her work is also very much informed by her lived experience. With keen focus on intersectional frameworks her mission is increasing accessibility in Black and brown communities, while building cultural literacy and equity more broadly. Arkey can be found supporting and partnering with organizations around the world, but her heart belongs to local organizations like Access Living, The Field Museum, The DuSable Museum, The National Museum of Mexican Art, Rootwork Gallery, Lookingglass Theater Company and more. If you see her out and about say hello!

Earliest Cultural Memory: Seeing Ella Jenkins at The Arie Crown Theater when I was in kindergarten, that or learning how pioneers made butter at the old Chicago Historical Society (Chicago History Museum)!

is an art therapist, artist/designer, and community leader that utilizes her lived experience of disability to progress culture towards more accessibility and inclusivity. Bri considers herself to have a social art practice and combines fine art, design, and her work as a helping professional to change individual and societal insight. Bri currently offers individual art therapy and counseling within private practice, but is also passionate about social justice work in disability rights as she views the process of healing as both individual and systemic. To do some of this work, she volunteers with Bodies of Work and Access Living as an artist in residence where she hosts and participates in Disability art and culture events.

Memorable Cultural Experience: I visited the MCA in 2012 on a college trip several years before I moved to Chicago. At this time, the museum featured colorful large-scale felt installations that guests could climb, lay, or sit on. It was a truly immersive sensory experience! My friends and I had the best time taking photos of one another in the space – and this was before Instagram was a big “thing”! That first visit to the MCA will always stand out to me because it showed me how interactive and uplifting art can be.

currently serves as the Senior Manager of Learning Experiences for the Chicago Zoological Society/Brookfield Zoo, where he has an active role in children and family programs, nature play programming, professional development, and the access and inclusion strategic initiative: Zoo for All. He has been in the informal education field for 25+ years, and previously volunteered time and energy on the Board of Directors for the Illinois Association of Museums. Dave has an M. Ed in Instructional Leadership from the University of Illinois in Chicago (UIC) and is currently completing an M.Div from Meadville-Lombard Theological School.

Memorable Cultural Experience: My father was a WWII Veteran, and was a top turret gunner in the Army Air Corp. As a child, we were visiting an air and space museum and there were planes from different time periods including some planes from WWII. My Dad said, ” I fly in that plane”. We thought he meant it was like the planes he flew in, but as we continued to talk, we realized he meant he flew in THAT exact plane.

is the former Administrative Operations Manager at the Chicago Academy of Sciences/Peggy Notebaert Nature Museum. He began working in museums as a public programs interpreter when he was 16 as a participant in the Nature Museum’s T.E.E.N.S. program. The majority of his 18 years of museum experience has been in various operations roles at Chicago area children, art, history, and science museums. David holds a BA in Museum Operations & Management from DePaul University, and is a current graduate student pursuing his Masters in Public Service Management with a concentration in Emergency Management from DePaul.

David joined the CCAC Steering Committee in 2019. 

Memorable Cultural Experience: Whether it is in Detroit, Michigan or Bali, Indonesia, if there is a zoo or aquarium I will make a point to visit. Favorite moments include seeing a cheetah run at nearly full speed in San Diego, feeding a basket of apples to a hippo in Budapest, and possibly the most special was the opportunity to watch two rescued Hawaiian Monk Seals, a critically endangered species, swim around their enclosure at the Waikiki Aquarium in Honolulu, Hawaii.

Anna is the Director of Retail and Events at The Morton Arboretum in Lisle, Illinois where she oversees the Special Events, Facility Rental, Food Service, and Retail departments. She has worked in museums in both Chicago and Washington D.C. since 2006 creating memorable and fun experiences for visitors that connect them to the unique story of the organization.

Anna has been a CCAC Steering Committee member since 2015; she became a Co-Chair in 2017, and joined the CCAC Board in 2022.

Childhood Museum Memory: Growing up in southern California, my mother took my sister and me to the Madonnari festival every year at the Santa Barbara Mission where dozens of artists used nothing but chalk to create truly stunning works of art on the pavement. Their skill fascinated me – especially when I compared their work to my own sidewalk “masterpieces.”

is an educator, artist and lifelong learner who currently manages education and engagement programs for the City of Chicago’s Department of Cultural Affairs and Special Events (DCASE). Susan’s path along the way weaves in, out and around schools, museums and arts organizations across the globe, including the Art Institute of Chicago, Spain, Ethiopia and LA. In 2018 she initiated the first exploration of the Chicago Cultural Center through touch and sound which inspired the installation of a touch gallery and Learning Lab which celebrates all the senses. She is honored to have contributed to the inspirational book that continues to feed her spirit daily: Learning by Heart: Teachings to Free the Creative Spirit. 

Susan joined the CCAC Steering Committee in 2019. 

Memorable Museum Memory: I remember falling fast asleep on the cold hard floor of the City Museum of St. Louis after a thrilling day of perusing exhibits that involve crawling, jumping, and sliding down a four-story chute. Thanks to Barb and Tim for hosting the best adult sleepover wedding reception ever!

is the Hart Prins Fund Accessibility & Inclusion Manager at Lincoln Park Zoo. He uses his experience from working in the disability community to foster accessibility and inclusion in all environments where people engage with the zoo. Personal experience also informs Bill’s work. Since birth, he has been low vision. He has also been a lifelong enthusiast of zoos and museums and the diverse ways people interact with these spaces. Bill has consulted with many cultural institution in Chicago, including serving as an inaugural member on The Second City’s Accessibility Board.

Favorite Cultural Memory: My dear late friend, Dr. Elsie Haug, and I made several trips to the Oriental Institute for multi-sensory tours. We shared the sounds, smells, and textures of the ancient world. Into her late nineties and even at age 100, Elsie was the most curious and inquisitive company at any museum.

Bringing Chicago together around the intersection of disability and the arts was Christena’s main aim as she started CCAC in 2013. Having over a decade of experience in cultural accessibility from a variety of cultural organizations, including the Metropolitan Museum and Lincoln Center, she currently serves as Assistant Director of Disability Services at Adler University. Thanks to her brother who has Down syndrome, cultural accessibility became her passion as they visited museums and attended plays together. Christena speaks internationally about cultural accessibility, especially the importance of establishing a local access knowledge network in one’s own community.

Christena served as a Steering Committee Co-Chair from 2013-2021. Currently she serves as Board President.

Childhood Museum Memory: My fourth grade class studied From The Mixed Up Files of Mrs. Basil E. Frankweiler, which involves two kids running away from home and living in the Metropolitan Museum. Our class slept over at our city’s art museum (Leigh Yawkey Woodson Art Museum). It was magical to live like the characters in the book for a night!

is an award-winning citizen playwright. Passionate about accessibility, equity, and inclusion in the arts led her to ADA 25 Advancing Leadership first as a Fellow, a program committee member and now as an ambassador. The cultural architect is a volunteer artistic associate at eta creative arts foundation, and sits on the honorary board of the Piven Theatre Company. Her writing engages community from page to stage in an American Theatre and within a truly inclusive American cultural landscape. Currently a 2020 3Arts Residency Fellow, University of Illinois at Chicago, she is exploring how Black American Sign Language and non-verbal communication express nuances in African-American popular culture’s funk music.

Tsehaye joined the CCAC Steering Committee in 2019.

Earliest Cultural Memories: Memories of music, singing, and dancing in my family, neighborhood, and school. Seeing the opera Aida unfold in its final dress rehearsal remains a galvanizing moment in my history and one whose magic has enthralled ever since.

(/ʒ/ – en) is an audience-focused arts and immersive experience professional whose work centers on creating more accessible, inclusive and inviting spaces and engagements for communities and individuals. Currently they are the Director of Visitor Experience with the City of Chicago’s Department of Cultural Affairs and Special Events where she creates and manages engagement spaces in the Chicago Cultural Center, oversees guest-facing items in Millennium Park and Taste of Chicago and has created an Accessibility Plan for adding access initiatives across all divisions of DCASE. They have over 15 years experience in public programming development, community engagement, production management and design, and recently received CPACC (Certificated Professional in Accessibility Core Competencies) Certification from IAPP (International Association of Accessibility Professionals). She is grateful for this opportunity to continue learning and increasing guests’ sense of welcome and belonging across cultural spaces and events.

Earliest Cultural Memory: I remember visiting Walt Disney World with my Pa & Patti when I was about 8 years old and being enchanted by the storytelling, simulacra on Main Street, the venue’s ability to transport us into a manufactured ideology with regimented customer service and thoughtfulness of spaces and amenities.

began his career working in Columbus GA at the Springer Opera House, the state theater of Georgia, as a Marketing Assistant. He then moved to the Atlanta area to work for New South Associates, a cultural resource management firm, as their Marketing Coordinator. There he found his passion working with the Society for Georgia Archaeology to run their ArchaeoBus Program. After 3 years running the ArchaeoBus program, Nick moved to Chicago and began a new journey as a Facilitator at the Museum of Science and Industry – Chicago, providing tours and interactive science experiences for guests from around the world. Nick is now an Education Coordinator for MSI’s Student Experiences department, working with students from across the region to create and facilitate fun, unique and engaging science programming.

Favorite Cultural Memory: Visiting the Denver Museum of Nature and Science’s CUBA! exhibit in 2019. It was such a beautiful and vibrant immersive exhibit space that helped connect you to the people and culture of Cuba. The exhibit also featured prominent members of the Denver community that were of Cuban decent, which was such a great representation of community and culture.

is a filmmaker and educator with two decades of experience crafting engaging non-fiction content for screens both big and small. As an associate of Kartemquin Films, he has contributed to over a dozen documentaries, many of which have broadcast on PBS. He has also taught in Chicago Public Schools, developed exhibit interactives for Chicago History Museum, and led programs at Arlington Heights Memorial Library as their first Filmmaker in Residence. Matt currently co-directs the biennial ReelAbilities Chicago Disability Film Festival, and in 2020, he founded All Senses Go, which highlights the importance of captions, description, and accessible events for film audiences.

Matt joined the CCAC Steering Committee in 2021.

Memorable Cultural Experience: I was 9 years old when the Field Museum first unveiled their exhibit, “Inside Ancient Egypt,” and it felt like an actual burial tomb from the past had been dropped into the museum for me to explore. I’ll always remember that feeling of immersive discovery — especially when I peered down a hole in the floor to glimpse a pharaoh’s sarcophagus far below. The memory of descending a spiral staircase down through a 35-foot burial shaft, however, reminds me as an adult how the experience was not accessible to everyone, and sparks a desire to problem solve: how can we get the best of both worlds, immersion and accessibility?

was appointed Deputy Commissioner of the Mayor’s Office for People with Disabilities (MOPD) in April 2021 by Commissioner Rachel Arfa. In her role as Deputy Commissioner, she oversees MOPD’s Employment, Training, and Youth Programs aimed at increasing employment opportunities for people with disabilities and increasing awareness on how to best interact with people with disabilities. Christina also collaborates with Chicago Public Schools’ Office of Diverse Learners and Support Services to provide professional development to transition-aged youth with disabilities. As MOPD’s Access Officer, another leadership role within the department, she serves as the main contact for City of Chicago departments and sister agencies on questions related to communication access. Christina is a graduate of John Carroll University (B.S. Business Administration) and Roosevelt university (M.S. Human Resource Management).

Favorite Cultural Memory: While in college, I had the opportunity to spend a semester abroad in London, England. While there, I explored numerous cultural experiences throughout Europe that expanded my interest and passion for learning and traveling.

has been Chief Strategic Initiatives Officer at Chicago History Museum since 2019. Prior to that, as Shedd Aquarium’s Senior Director of Exhibits and Experience Development, she spearheaded the kickoff and development of their award-winning Accessibility program. She is an avid traveler and museum-goer, having visited more than thirty countries in Europe, the Middle East and North Africa, Asia, and the Americas, and now loves traveling with her husband and two young daughters.

Kris was on the CCAC Steering Committee from 2015-2019. She joined the CCAC Board in 2019.

Favorite museum memory: was watching my daughters’ joy while they explored the Performing Arts Museum in Stockholm, filled with interactive and creative elements.

is an advocate for inclusion in the arts and the world and believes we can achieve this through conversation and groundwork. The arts in Chicago have provided Casey self-discovery and a family of folks who want to change the world through art and inclusion.

Casey joined the CCAC Steering Committee in 2019.

Favorite Cultural Memory: As a kid in central Illinois we would take vacations to Chicago. I remember being mesmerized by the Egyptian exhibit at the Field Museum and the beautiful creatures of Shedd Aquarium.

Raised in Miami, FL, Lauren Pincus has dedicated her life to the arts. After completing a BA in Theatre from Florida State University in 2017, Lauren worked at the critically acclaimed Adrienne Arsht Center in downtown Miami before moving to Chicago in 2018 to pursue a career in ASL (American Sign Language). In May 2022, Lauren completed a second BA in ASL-English Interpretation from Columbia College Chicago. She has a love for helping others and found her passion for access through her work in the Access Committee at Second City, where she worked part-time in the Box Office while going to school. Lauren currently works at Chicago Humanities Festival as the Audience Accessibility Coordinator.

Memorable Cultural Experience: Seeing Deaf West’s Spring Awakening on Broadway in 2018 was a once in a lifetime experience. At the time, I was learning ASL and about Deaf Culture, so being immersed like that was truly incredible. After the show, I was able to have a conversation with one of the Deaf cast members. It was not easy, because I was still a beginner, but I was hooked! That experience solidified my wanting to move to Chicago and pursue a career in ASL Interpreting.

Risa Jaz Rifkind is a justice advocate who seeks to make change by shifting access to power and influence. As the Director of Civic Engagement and Marketing for Disability Lead, she propels the organization to realize its vision to have people with disabilities lead with power and influence. By identifying and developing strategic partnerships, Risa positions Members to take on leadership roles that advance their careers, civic engagement, and equity for people with disabilities. By integrating this vision into all internal and external communications, she leads Disability Lead’s brand awareness, public and private Member programming, and community engagement and outreach. She is also a Disability Lead Member.

In 2020, she also participated on the Disability Inclusion Fund’s grantmaking committee. Previously, Risa was Program Manager at The Chicago Community Trust where she developed their disability inclusion priorities and practices and managed several disability inclusion initiatives including the Disabilities Fund, ADA 25 Advancing Leadership, and ADA 25Chicago. With the Disabilities Fund, Risa supported a rebrand and strategic plan redesign that resulted in a 500% increase in annual grantmaking for which she acted as the program officer. During 2015, ADA 25 Chicago leveraged the25th anniversary of the Americans with Disabilities Act to move the spirit of the law forward. This included engaging and supporting over 200 partner organizations’ commitments and events.

She has consulted for organizations to increase their disability inclusion including the University of Indiana Kelley School of Business, Institute for Nonprofit Professionals, and has spoken at conferences including the Leadership Exchange in Arts and Disability, Unity Summit, and Upswell Conference.

Risa is passionate about the arts and serves on the Board of Directors for the Chicago Cultural Accessibility Consortium as Treasurer. Risa received a B.A. from Johns Hopkins University.

Risa was a Founding Steering Committee Member in 2013 prior to co-leading the Steering Committee as a Co-Chair 2017-2021. 

Memorable Cultural Experience: I had to be about 7 when my parents took me and my younger brother to Madison Square Garden to see Crosby Still Nash and Young. I remember thinking that it was so cool and weird at the same time watching all these hippies and former hippies rock out all night (way past my bedtime). That didn’t stop me from standing on the chair and rocking out as well – minus the lighter and other hippy equipment, of course.

is the Manager of Interpretive Services at Shedd Aquarium where she oversees programming including Behind-the-Scenes Tours and Private Personalized Tours, and works with over 150 interpretive volunteers. Karen is part of Shedd Aquarium’s Access & Inclusion Team, and has spearheaded work to train guides and volunteers in audio description and tactile tour facilitation. Karen has a BA in Geology from Haverford College and a MS in Earth and Planetary Sciences from Northwestern University. Previously she worked in interpretation at Chicago Botanic Garden, researched climate change with Respiratory Health Association, and taught geology.

Karen joined the CCAC Steering Committee in 2019. 

Favorite Museum Memory: There weren’t a lot of museums in my rural hometown, but we would visit New York each year. I loved spending Christmas Eve at the American Museum of Natural History. It felt like we had the place entirely to ourselves, and my sisters and I reveled in it. Our favorite thing was to find a 2 foot model of a mosquito, whom we had named Skippy. I visited NYC recently, and I was glad to find Skippy still going strong!

is a House Manager & Accessibility Coordinator at The Goodman Theatre. Prior to his time at Goodman, he worked at the Shedd Aquarium as well as the Museum of Science & Industry. Early in his journey as a trans man, he felt like there was no longer a place for him in theatre, but realized that he could be a part of making the arts more inclusive for a much wider range of people.

Andy joined the CCAC Steering Committee in 2019. 

Favorite Museum Memory:My favorite memory in a museum is playing peek-a-boo with a beluga named Bella who spit all over me!