In partnership with former Technical Director Glenn B. Rust’s Graduate Thesis Project, Keep it Going presents an afternoon of new works that you can watch in the theatre or from the comfort of your own home!
Beginning the afternoon we will have Interrobang by Resident Playwright Arlene Malinowski followed by the final performance of Access Fellow Deb Stein’s HAND, Foot, HAND. Following the performances there will be a thirty-minute talkback and an afterparty!
Keep it Going is designed to highlight technologies and practices that allow for more accessible theatre.
-You can join us at the Russ Tutterow Theatre to see the performances in person or virtually at https://www.youtube.com/@chicagodramatists6747
-Live captions will be provided for both in-person and virtual audiences.
-Additional seating will be available both in the house and on the stage including wheelchair accessible seating.
-The event will be a relaxed performance. House lights will remain at half. Audience members are welcome to exit and reenter the space at any point for any reason. We will asked phones be silenced, but texting is allowed. Audience reaction is also encouraged. If something stirs a response out of you, or if you need to ask a question of the folks you’ve come with, feel free!
-Scent & Allergen Free Space
-Masking Recommended
The in-person performance is Pay What You Will with all payments made going to support the Access Fellowship. The Chicago Dramatists Access Fellowship for Deaf & Disabled Artists is in honor of Charles and Dorothy Malinowski, who were revered storytellers in the Deaf Community. Fellows receive two free classes, one free Script Lab, and more!
The virtual performance is completely free!
Whether you’ll be joining us at the Russ Tutterow Theatre or logging in on our YouTube channel to join the talkback in the chat, we cannot wait to see you there!
Accessibility: All-Gender Restrooms, Captioning, Sensory Friendly, and Wheelchair Accessible.
https://chicagodramatists.app.neoncrm.com/np/clients/chicagodramatists/event.jsp?event=2064&
This is an opportunity for members of the TCA to enter into conversation with Christina and Cortney, the founders of #BlkGrlsWurld, about their growth and evolution as Black womxn publishers, event organizers, and lovers of punk, hardcore, and metal.
Coinciding with the Faith Ringgold: American People exhibition, this event highlights the creativity, influence, and impact of Black Femme creatives across generations.
ASL is provided.
https://visit.mcachicago.org/events/youth-led-programming-tca-blkgrlswurld/
Strawdog Theatre Company in partnership with Chicago Loop Synagogue presents Hershel & The Hanukkah Goblins. In this musical adaptation of Eric Kimmel’s Caldecott Honor-winning book, a traveling troupe of actors comes to town to find no one celebrating Hanukkah. To save the holiday, they must tell the tale of Hershel of Ostropol & his quest to outwit the goblins who haunt the old synagogue!
Audio Description will be available for this performance in-person and via the live stream. Audience members must RSVP for in-person audio description by emailing accessibility@strawdog.org. There will be an in-person Touch Tour at 10:15am. Those tuning into the live stream will be able to watch a pre-show Audio Description.
Accessibility: Audio Description, Touch Tour, Sensory Friendly
https://www.strawdog.org/hershel
Let’s reclaim and rewrite our stories as disabled people through writing and drawing together! Too often disabled individuals have their stories told to them by medical professionals and cultural norms. It’s time to get the power back and tell our own tales!
Rewritten Narratives is a workshop for participants who self-identify as disabled and/or chronically ill, whether the disability is apparent or non-apparent. This could mean anything from physical disabilities, learning disabilities, “invisible” disabilities, and disabilities caused by mental health concerns.
No art making skills or experiences required!
Attendees will receive transportation stipend (PACE vouchers).
Location:
Center for Mad Culture
410 South Michigan Avenue, suite 419
Chicago, IL 60605
In-person Rewritten Narratives session RSVP Link: https://tinyurl.com/rewrittennarrative
Access information:
Press Here is on the 4th floor in the Fine Arts Building. It is accessible by elevator. A wheelchair accessible restroom is available. For in-person sessions, please request ASL interpretation and identify any access needs when signing up for a session.
AI captioning will be available for virtual workshop sessions. For virtual sessions, contact B at brandolph@accessliving.org or (312) 640-2100 with access requests. Please allow 2-3 weeks’ advance notice for ASL interpretation requests, both virtual and in-person.
About the facilitator:
Brian “B” Randolph (they/them) is an art therapy graduate student from The School of the Art Institute of Chicago (SAIC). Brian specializes in portraiture, drawing the human form, and the writing/drawing of comics. B is working with their supervisor, disabled artist and art therapist, Sandie Yi, to create disability culture and art at Access Living this year.
Sponsor Information:
This project is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, and the Disability Culture Activism Lab (DCAL). DCAL, a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
This program is partially supported by a grant from the Illinois Arts Council Agency and Shirley Ryan Abilities Lab. The contents of this project were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90RTCP0005). NIDILRR is a Center within the Administration for Community Living (ACL), Department of Health and Human Services (HHS). The contents of this project do not necessarily represent the policy of NIDILRR, ACL, or HHS, and you should not assume endorsement by the Federal Government.
Let’s reclaim and rewrite our stories as disabled people through writing and drawing together! Too often disabled individuals have their stories told to them by medical professionals and cultural norms. It’s time to get the power back and tell our own tales!
Rewritten Narratives is a workshop for participants who self-identify as disabled and/or chronically ill, whether the disability is apparent or non-apparent. This could mean anything from physical disabilities, learning disabilities, “invisible” disabilities, and disabilities caused by mental health concerns.
No art making skills or experiences required!
Thursday sessions will be held via Zoom from 2-4pm.
Attendees will receive transportation stipend (PACE vouchers).
Join the Rewritten Narratives Zoom: https://us02web.zoom.us/j/83239461202?pwd=Zml3ZFdDdkhHQU5tTytrM1B5SzlzUT09
Meeting ID: 832 3946 1202
Passcode: AL2023
Access information:
AI captioning will be available for virtual workshop sessions. For virtual sessions, contact B at brandolph@accessliving.org or (312) 640-2100 with access requests. Please allow 2-3 weeks’ advance notice for ASL interpretation requests, both virtual and in-person.
About the facilitator:
Brian “B” Randolph (they/them) is an art therapy graduate student from The School of the Art Institute of Chicago (SAIC). Brian specializes in portraiture, drawing the human form, and the writing/drawing of comics. B is working with their supervisor, disabled artist and art therapist, Sandie Yi, to create disability culture and art at Access Living this year.
Sponsor Information:
This project is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, and the Disability Culture Activism Lab (DCAL). DCAL, a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
This program is partially supported by a grant from the Illinois Arts Council Agency and Shirley Ryan Abilities Lab. The contents of this project were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90RTCP0005). NIDILRR is a Center within the Administration for Community Living (ACL), Department of Health and Human Services (HHS). The contents of this project do not necessarily represent the policy of NIDILRR, ACL, or HHS, and you should not assume endorsement by the Federal Government.
Event Description: Are you curious about the Leadership Exchange in Arts and Disability (LEAD) conference? Did you want to attend but couldn’t? Join The Collab for a Zoom Lunch and Learn about this year’s LEAD experience. Four representatives from the Collab will share takeaways from their focus areas and lead a live discussion with our arts and culture accessibility community. Come for the best practice takeaways and bring your questions about LEAD!
Date: October 3, 2023
Time: Noon to 1:00 PM, Central Time
Location: Zoom. Registered participants will receive a Zoom Meeting Link via email the day prior to the event. Please ensure that Info@ChicagoCulturalAccess.org is an approved sender to your email account, or be sure to check your Spam/Junk Mail filter for the email.
Program Accessibility: Real-Time Captioning and Sign Language Interpretation will be provided. Please complete the accommodation request field found in the event registration form or call 773-203-5039 to request other access services.
Cost: FREE. While this program is free, a $5 suggested donation helps to cover programming costs to ensure Cultural Access Collaborative’s mission is achievable and accessible to all. You may make a tax deductible online donation to the Collab at any time.
Registration: Join us by completing this event registration form!
Join us for a reading and celebration of the diverse voices, rich experiences, and powerful words of poets from around the US and the world. Poets working in the online poetry workshop and discussion, Forms & Features, will share work that they created in this creative community.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Accessibility: ASL, captions
https://www.eventbrite.com/e/forms-features-community-reading-tickets-710431017297?aff=oddtdtcreator
The Peer Mental Health Support Group is an opportunity for Disabled-identifying people and those exploring their relationship to disability identity to share and hold space for one another in an accessible and virtual setting.
Facilitated by disabled art therapist Bri Beck, LCPC, ATR, this group is meant to offer an opportunity for participants to share current concerns, thoughts/emotions, and offer support to others through validation, encouragement, and even practical ideas to cope. This group will also explore art as an emotional outlet.
This group is not considered, nor should it be a substitute for traditional group therapy, however, topics of mental health, emotional wellness, self-advocacy, and healthy relationships will be addressed in a structured and confidential space. Participants may attend as many or as little group meetings as needed. Group norms will be reviewed every week.
Join the group via Zoom
Zoom Meeting ID: 818 5920 1086
Zoom Meeting Passcode: AL2023
For any questions, please email bbeck@accessliving.org.
Fall 2023 meeting dates are as follows:
(Off September 4 – Labor Day)
Monday, September 11
Monday, September 18
Monday, September 25
(Off October 2)
Monday, October 9
Monday, October 16
Monday, October 23
(Off October 30)
Monday, November 6
Monday, November 13
Monday, November 20
(Off November 27)
December 4
December 11
December 18
Access Information:
Automatic captioning is available in Zoom.
Due to high demand for live captioning (CART) and ASL interpretation services during the COVID-19 pandemic, we are asking participants to submit access requests 2-3 weeks in advance. Please contact bbeck@accessliving.org with requests.
Sponsor information:
This event is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, and the Disability Culture Activism Lab (DCAL), a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
As a platform for creative disability art and advocacy projects, DCAL uses a peer support and collective care model in which disability community members and art therapy graduate students collaborate as disability culture makers for social change. Bodies of Work is a part of the Department of Disability and Human Development within the College of Applied Health Sciences at University of Illinois-Chicago.
This program is partially supported by a grant from the Illinois Arts Council Agency.
Join us for a virtual reading featuring 2023 Forms & Features Visiting Teaching Artists Samira Asma-Sadeque, Giulia Ottavia Frattini, grace (ge) gilbert, Lisa Low, L. Renée, and Hua Xi. Forms & Features is the Poetry Foundation’s series of free online creative writing workshops for adults.
Samira Asma-Sadeque is a New York-based Bangladeshi journalist, poet, and educator. She writes about the immigrant experience, mental health, hate speech, and gender violence in both her poetry and journalism. Her poetry appears in HBO’s Take Out with Lisa Ling, PBS’s ALL ARTS, Button Poetry, and has been featured at the Rubin Museum, among other platforms. She is a Brooklyn Poets fellow, Tin House alum, and Best of the Net nominee. Her journalism has appeared in the New York Times, The Guardian, the Washington Post, and Al Jazeera, among other publications.
Giulia Ottavia Frattini is a poet and writer based in Berlin. She is currently involved in art-oriented practices and collaborates as a contributor for several art magazines while developing her literary path. She perceives words as metamorphic elements, and her prime focus gravitates toward the unfolding of identity, language’s physicality, and lyricism’s disruption.
grace (ge) gilbert is a hybrid poet, essayist, and collage-worker based in Brooklyn. They received their MFA in poetry from the University of Pittsburgh in 2022. grace is the author of three short collections: the closeted diaries, NOTIFICATIONS IN THE DARK, and today is an unholy suite. Their work can be found in the Indiana Review, Ninth Letter, Passages North, The Offing, the Adroit Journal, and elsewhere. They currently teach hybrid collage and poetics courses at the Minnesota Center for Book Arts. They have received support and scholarships from City of Asylum’s Emerging Poet Laureate program and Bread Loaf, and served as the MCLA Under 27 Writer-in-Residence Fellow at Mass MoCA.They are passionate about making the hybrid arts accessible to all. Learn more at gracegegilbert.com.
Lisa Low’s poems have appeared in Copper Nickel, Ecotone, the Massachusetts Review, Poetry, the Southern Review, and elsewhere. Her nonfiction won the 2020 Gulf Coast Nonfiction Prize. She has an MFA from Indiana University and a PhD in creative writing and literature from the University of Cincinnati. Her debut chapbook, Crown for the Girl Inside, won the 2020 Vinyl 45 Chapbook Contest and is forthcoming from YesYes Books.
L. Renée is a poet and nonfiction writer living in Harrisonburg, Virginia, where she works as assistant director of Furious Flower Poetry Center and assistant professor of English at James Madison University. Nominated for Best New Poets, Best of the Net, and two Pushcart Prizes, her work has been published in Obsidian, Tin House Online, Poetry Northwest, the minnesota review, and elsewhere. The granddaughter of proud Black Appalachians, she won the international 2022 Rattle Poetry Prize and Appalachian Review’s Denny C. Plattner Award, among others. A recipient of fellowships from Cave Canem Foundation and the Watering Hole, L. Renée holds an MFA in creative writing from Indiana University, where she was nonfiction editor of the Indiana Review, and an MS in journalism from Columbia University, where she was a Joseph Pulitzer II and Edith Moore Fellow. She has received support from the Barbara Deming Memorial Fund, Inc., Oak Spring Garden Foundation, Peter Bullough Foundation, the Writers’ Colony at Dairy Hollow, Fine Arts Work Center in Provincetown, Monson Arts, Minnesota Northwoods Writers Conference, and others. Learn more at Lreneepoems.com.
Hua Xi (she/they) is a poet and artist. Their poetry has appeared in the New Republic, The Nation, The Atlantic, and elsewhere. They previously won the Boston Review Poetry Contest and was the 2022 Poet-to-Come Scholar at the Walt Whitman Birthplace Association. They sometimes teach poetry workshops with the Spatial Poetry Project.
The Zoom link will be shared with registered guests on the day of the event. Poetry Foundation events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Accessibility: ASL interpretation, captioning
Join LYNX Project for the most-anticipated event of their 2022-23 season: the World Premieres of the 2022-23 Amplify Series. The Amplify Series commissions classical composers to set texts by autistic poets, who are primarily nonspeaking, to music. LYNX has commissioned over 40 writers and composers, generating over four hours of new music. The Amplify Series World Premiere Concert celebrates this year’s powerful and poignant new works, featuring the following poets, composers, and performers:
Poets:
Amelia Bell
Sofia Ghassaei
Matthew McGrath
John-Carlos Schaut
Parker Scheu
Composers:
Eugenia Cheng
Shane S. Cook
Corinne Klein
Paul Novak
Matthew Recio
Performers:
Veena Akama-Makia, mezzo-soprano
Pauline Tan, mezzo-soprano
Samuel James Dewese, baritone
Florence Mak, pianist
Michael Tran, clarinetist
Kimberly Jeong, cellist
Accommodations:
Relaxed performance atmosphere (movement, fidgets, stims welcome in our space)
Sensory-relief space outside concert hall
No clapping — handwaving and snapping for applause
For additional information about accommodations, or to make a request, please contact Michelle Ravitsky at michelle@lynxproject.org.
The exhilarating work of Chicago’s next generation of filmmakers is showcased in this eclectic collection that celebrates the vast array of creative expressions emerging from our city.
Note: Films in this program contain themes or language that may not be suitable for all ages.
Closed Captions will be available with these films on our online platform.
https://www.chicagofilmfestival.com/film/cineyouth2023-chicagoland/
Please note, there are also in-person screenings. This post contains information for the virtual screening only.
To commemorate Women’s History Month, the Arts & Culture Project at Access Living is partnering to host a virtual film screening and panel discussion of the My Girl Story documentary on Saturday, March 25 from 12-2pm.
This event will explore the importance of mental health care among Black girls and resources available to them and their families.
My Girl follows the lives of two Black girls from Detroit, Monay and Shokana, who are fighting to become the girls they want to be. The documentary aims to give context to what Black girls across the country are experiencing today and to challenge the institutional and systemic barriers that prevent black girls especially those with disabilities from achieving their potential.
Register via Eventbrite to get the Zoom link:
Access Information:
Live CART captioning and ASL will be provided during the panel discussion.
Partners:
My Girl Story
Chicagoland Disabled People of Color Coalition
Access Living
Empowered Fe Fe’s
Sponsor Information: This event is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, Shirley Ryan Abilities Lab, and the Disability Culture Activism Lab (DCAL), a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
Bodies of Work is a part of the Department of Disability and Human Development within the College of Applied Health Sciences at University of Illinois-Chicago. The contents of this film were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90RTCP0005). NIDILRR is a Center within the Administration for Community Living (ACL), Department of Health and Human Services (HHS). The contents of this film do not necessarily represent the policy of NIDILRR, ACL, or HHS, and you should not assume endorsement by the Federal Government.
This program is partially supported by a grant from the Illinois Arts Council Agency.
Don’t miss the 24th annual festival of the best independent films created by Irish filmmakers celebrating diversity and creativity through short, documentary and feature films.
The Chicago Irish Film Festival proudly presents our Opening Night feature “The Sparrow” at Theater on the Lake on March 2, starting at 6:30pm. Enjoy other films at AMC New City from March 2-5 with director chats, and virtual tickets available from March 6-16, 2023.
All virtual films will have subtitle options. In-person captioning will not be available, however is available depending on the theater.
This Wednesday, March 1st Garfield Park Conservatory Alliance is hosting beekeeper Jonathan Bennett for a virtual lecture from 6:30pm – 8pm. Jonathan encourages people of all ages and abilities to keep bees if it is of their interest. In his presentation he will share ways he has adapted his beekeeping to his physical ability and future plans to continue to improve the adaptability of his apiary to his physical ability.
This virtual lecture will have ASL Interpretation and auto-generated closed captioning available.
About the speaker: Jonathan Bennett is as unique as he is interesting. He has faced challenges his entire life having been born with spina bifida. He hasn’t let this stop him from pursuing his agricultural ambitions as he got his education from the College of the Ozarks with his bachelor’s in animal science and agriculture business. In recent years, he has expanded the family farm outside Cabool, Missouri producing registered shorthorn cattle, pure Spanish goats, and bees. He currently maintains 5 production hives and several nucleolus colonies.
If you would like to request an accommodation, the registration form has a space to let us know or please feel free to connect with access@garfieldpark.org.
Join us for a reading and celebration of the diverse voices, rich experiences, and powerful words of poets from around the country, and the world. Poets working in the online poetry workshop and discussion, Forms & Features, will share work created in this online creative community.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Accessibility: ASL interpreter, captions
https://www.eventbrite.com/e/celebrating-the-poets-of-forms-features-online-tickets-525944653617
Join us for a reading and celebration of the diverse voices, rich experiences, and powerful words of poets from around the country, and the world. Poets working in the online poetry workshop and discussion, Forms & Features, will share work created in this online creative community.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
https://www.eventbrite.com/e/celebrating-the-poets-of-forms-features-online-tickets-525887893847
Join us for an intimate look at the painter Alex Katz’s extensive collaborations with poets, followed by a poetry reading by his son, Vincent Katz. This event will feature the premiere of a video dialogue between Alex and Vincent, looking closely at some of the works on view in this exhibition. Spanning works created over the past 60 years, the exhibition includes print portfolios, editioned books, portraits of poets and unique cutouts, all centering on poets and poetry.
Organized by the Poetry Foundation with guidance from the artist and his son, and with support from GRAY, the exhibition offers a unique opportunity to experience Katz’s deep interest in an art form whose forms and tactics he considered “more stimulating than painting.”
Alex Katz Often associated with the Pop Art movement, Katz began exhibiting his work in 1954; since that time he has produced a celebrated body of work that includes paintings, drawings, sculpture, and prints. His earliest work took inspiration from various aspects of mid-century American culture and society, including television, film, and advertising.
Vincent Katz is a poet, translator, curator, and critic. Katz is the author of numerous collections of poetry, including Broadway for Paul, Southness, Swimming Home, and Rapid Departures . He is also coauthor of Fantastic Caryatids, a collaboration with Anne Waldman, and his book collaborations with artists include Alcuni Telefonini with Francesco Clemente and Judge with Wayne Gonzales, among others. Katz also edited and wrote the introduction to Poems to Work On: The Collected Poems of Jim Dine.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Join LYNX Project for a performance celebrating the unique styles of our commissioned composers for this year’s Amplify Series, a project setting the poetry of primarily non-speaking autistic individuals to music. Snapshots of Every Voice celebrates what artists want to share through art song. Performances in this series showcase the diversity and richness of art song repertoire, allowing us to experience music that deeply resonates within us.
This performance will feature music by the season’s Amplify Series composers as well as a Q&A session following the performance:
Eugenia Cheng
Shane S. Cook
Corinne Klein
Paul Novak
Matthew Recio
The program will also feature a performance of Michelle Isaac’s 2020 commission from LYNX Project, “Hope”, with text by Benjamin Smidt.
Performers:
Quinn Middleman, mezzo-soprano
Samuel James Dewese, baritone
Florence Mak, piano
Accommodations:
Relaxed performance atmosphere (movement, fidgets, stims welcome in our space)
Quiet space outside concert hall
No clapping — handwaving and snapping for applause
For additional information about accommodations, or to make a request, please contact Michelle Ravitsky at michelle@lynxproject.org
https://www.lynxproject.org/calendar/2023/3/5/snapshots-of-every-voice-composers
Join us for a virtual reading featuring the 2022 Forms & Features Visiting Teaching Artists: Cecilia Caballero, Christiana Castillo, Antoinette Cooper, Sara Elkamel, Ernest Ogunyemi, and Chessy Normile. Forms & Features is the Poetry Foundation’s series of free online creative writing workshops for adults.
Cecilia Caballero, PhD, is a poet, essayist, Ethnic Studies lecturer, and co-editor of The Chicana Motherwork Anthology. Caballero is teaching faculty with Catapult, and she has taught poetry workshops for the Puente Project, the University of Arizona, East Los Angeles College, and elsewhere. Her work appears in Dryland, Raising Mothers, The Acentos Review, among others; her honors include an Authentic Voices fellowship with the Women’s National Book Association and nominations for Rhysling, Pushcart, and Best of the Net Awards.
Christiana Castillo is a Mexican-Brasilian-American poet, educator, abolitionist, and gardener.
Antoinette Cooper is a writer and TEDx speaker committed to the liberation of Black bodies through arts, ancestral healing, social justice, and medical humanities. Born on the island of Jamaica and raised in the NYC Housing Projects, Cooper holds a Cornell BA, a Columbia MFA, and sits on the board of Narrative Medicine at CUNY School of Medicine. Her honors include a grant from Café Royal Foundation, a residency with BLKSPACE, and work in The Amistad, Intima: Journal of Narrative Medicine. www.antoinettecooper.com
Sara Elkamel is a poet and journalist living between her hometown, Cairo, Egypt, and New York City. Elkamel earned an MA in arts journalism from Columbia University and an MFA in poetry from New York University. She is author of the chapbook Field of No Justice.
Ernest O. Ògúnyẹmí writes from Nigeria. Ogunyemi’s work has appeared in or is forthcoming from AGNI, Kenyon Review, The Sun, Banshee, Mooncalves: An Anthology of Weird Fiction, among others. His debut chapbook, A Pocket of Genesis will be published in 2023. He is working toward a BA in History and International Studies at Lagos State University.
Chessy Normile is a writer from New York currently living in Madison, Wisconsin as the 2022–23 Ronald Wallace Poetry Fellow at the Wisconsin Institute for Creative Writing. Normile received an MFA in poetry from The Michener Center for Writers at University of Texas at Austin, and her first book of poems, Great Exodus, Great Wall, Great Party, was selected by Li-Young Lee for the 2020 APR/Honickman First Book Prize. She edits a zine series called Girl Blood Info.
The Zoom link will be shared with registered guests on the day of the event. Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide https://www.poetryfoundation.org/visit/accessibility
Captions, ASL Interpreter, and Virtual
Join us for our first gathering of LabE, a series of monthly cohort meetings addressing particular needs of disabled dance artists, such as studio access, development and production support, and platforms for promoting Chicago’s sick, Deaf and disabled dance artists.
During our initial meeting on February 5, we’ll gather to collectively compile a list of accessible dance studios, classes and performance spaces in Chicago. We’ll come together and build community while crowdsourcing our favorite spaces to rehearse, take class and perform in the Chicago area.
When: Sunday, February 5, 2023, 1-3pm Central
Where: This is a hybrid event. The in-person portion will take place at the Experimental Station (6100 S Blackstone Ave, Chicago, IL 60637). The online portion will take place via Zoom, with the zoom link sent out to all registrants in advance of the event. We are still experimenting with our hybrid setup and appreciate your patience and collaborative spirit in working out the kinks!
Who: Open to Chicago-area dance artists who self-identify as Deaf/deaf/hard of hearing, sick, mad, neurodivergent, disabled or living with a disability, and/or who have lived experience with disability or impairment. This space is particularly meant for those interested in exploring disability and impairment-informed modes of practicing dance.
Access Information: AI Captioning available via zoom. The first floor of Experimental Station, where the event will be held is wheelchair accessible, including accessible bathrooms.
We ask that all attendees wear masks for the duration of the event, but please note that Experimental Station is a public building and that there will likely be unmasked people in the building. For those unable to mask or to risk being in a public space, we are offering a virtual option to join the event via Zoom. Attendees will be asked to indicate whether they prefer to attend online or in-person upon registration, though the are welcome to switch their registration type and all registrants will be provided the link to attend on Zoom.
This event is intended to be relaxed, welcoming and comfortable for all in the space. We will have multiple forms of seating available, as well as a few stim tools. You are welcome to come and go, bring your own access tools, and move about the space as needed during the event.
Please refrain from wearing any scented perfume, cologne, lotion, etc.
Contact: Please reach out to Maggie Bridger at magbridger@gmail.com with any questions about access needs or requests for access services/tools not mentioned here.
Captions (virtual only), Sensory Friendly, Wheelchair Accessible, and Virtual
Join us for a celebration of University of New Mexico Press’s landmark anthology Latinx Poetics: Essays on the Art of Poetry, featuring editor Ruben Quesada and poetry readings from ten contributors. This is a hybrid event, which will be offered in-person and via livestream.
Latinx Poetics: Essays on the Art of Poetry collects personal and academic writing from Latino, Latin American, Latinx, and Luso poets about the nature of poetry and its practice. At the heart of this anthology lies the intersection of history, language, and the human experience. The collection explores the ways in which a people’s history and language are vital to the development of a poet’s imagination and insists that the meaning and value of poetry are necessary to understand the history and future of a people. The Latinx community is not a monolith, and accordingly the poets assembled here vary in style, language, and nationality. The essays not only expand the poetic landscape but extend Latinx and Latin American linguistic and geographical boundaries.
Ruben Quesada is a poet, translator, and editor. He is the author of Revelations and Next Extinct Mammal and the translator of a collection of selected poems by Luis Cernuda titled Exiled from the Throne of Night. He has served as an editor and coordinator for The Rumpus, Kenyon Review, AGNI, Pleiades, and the National Book Critics Circle board. He lives in Chicago, Illinois.
Daniel Borzutzky is a poet and translator who lives in Chicago; his most recent book is Written after a Massacre in the Year 2018. Borzutzky’s 2016 collection, The Performance of Becoming Human won a National Book Award in Poetry. He teaches in the English and Latin American and Latino Studies Departments at the University of Illinois at Chicago.
Blas Falconer is the author of three poetry collections, including Forgive the Body This Failure, and a coeditor of two essay collections, The Other Latin@: Writing Against a Singular Identity and Mentor and Muse: Essays from Poets to Poets. Falconer’s poems have been featured by Poetry, Kenyon Review, and The New York Times, and his awards include fellowships from the National Endowment for the Arts, the Tennessee Arts Commission, and Poets and Writers.
Sean Frederick Forbes is an assistant professor-in-residence of English and the director of the creative writing program at the University of Connecticut. Providencia, his first book of poetry, was published in 2013. He serves as the poetry editor for New Square, the official publication of the Sancho Panza Literary Society, of which he is a founding member. In 2017, he received first place in the Nutmeg Poetry Contest from the Connecticut Poetry Society.
Raina J. León, PhD, is Black, Afro-Boricua, and from Philadelphia. A poet and writer, she is the author of Canticle of Idols, Boogeyman Dawn, sombra : (dis)locate, and the chapbooks profeta without refuge and Areyto to Atabey: Essays on the Mother(ing) Self. León has received fellowships and residencies from Cave Canem, Obsidian Foundation, and Vermont Studio Center, among others. She also is a founding editor of the Acentos Review, an international online quarterly journal devoted to the promotion and publication of Latinx arts.
Sheryl Luna’s Magnificent Errors received an Ernest Sandeen Poetry Prize from University of Notre Dame; her other collections include Seven and Pity the Drowned Horses. Luna has received fellowships from Yaddo, Anderson Center, and CantoMundo, and she has received an Alfredo Cisneros del Moral Foundation Award, and was inducted into the Texas Institute of Letters.
Carlo Matos is the author of twelve books, including As Malcriadas or Names We Inherit and We Prefer the Damned. Matos has received grants and fellowships from Disquiet ILP, CantoMundo, Illinois Arts Council, Sundress Academy for the Arts, and La Romita School of Art. He is a founding member of the Portuguese American writers collective Kale Soup for the Soul and a winner of the Heartland Poetry Prize.
Orlando Ricardo Menes is professor of English at the University of Notre Dame, where he teaches in the MFA program and edits the Notre Dame Review. Menes is the author of seven poetry collections, including The Gospel of Wildflowers & Weeds, Memoria, and Fetish. His poems have appeared in several prominent anthologies and in such literary magazines as Poetry, Southern Review, Prairie Schooner, Yale Review, Harvard Review, and Hudson Review, among others.
Tomás Q. Morín is the author of several books, including the poetry collection Machete and the memoir Let Me Count the Ways. Morín’s work has appeared in The New York Times, The Nation, Poetry, Slate, and Boston Review. He is a Civitella Fellow and a National Endowment for the Arts Fellow, and teaches at Rice University and Vermont College of Fine Arts.
ire’ne lara silva is the author of four poetry collections, including furia and Blood Sugar Canto, two chapbooks , and a short story collection, flesh to bone, which won a Premio Aztlán. silva coedited Imaniman: Poets Writing in the Anzaldúa Borderlands with Dan Vera. Her awards include a 2021 Tasajillo Writers Grant, a 2017 NALAC Fund for the Arts Grant, a Alfredo Cisneros del Moral Award, and the 2021 Texas Institute of Letters Shrake Award for Best Short Nonfiction.
Born in Mexico, Natalia Treviño grew up in South Texas, and is the author of the poetry collections VirginX and Lavando la Dirty Laundry, which has been published in a dual-language edition in Albanian and Macdonian. Treviño’s honors include an Alfredo Cisneros del Moral Award, a Dorothy Sargent Rosenberg Poetry Prize, and a Menada Literary Award. She is a professor of English and an affiliate Mexican American studies faculty member at Northwest Vista College.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance at https://www.eventbrite.com/e/latinx-poetics-anthology-launch-celebration-tickets-470342827057
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance at https://www.eventbrite.com/e/latinx-poetics-anthology-launch-celebration-tickets-470342827057
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide https://www.poetryfoundation.org/visit/accessibility
Join us for an Open Door reading with José Olivarez, Britteney Black Rose Kapri, Vic Chávez, and Raych Jackson, celebrating the launch of Olivarez’s book, Promises of Gold. The Open Door series highlights creative relationships in Chicago, including mentorship and collaboration. This is a hybrid event, which will be offered in-person and via livestream.
José Olivarez is a writer from Calumet City, IL. He is the author of Promises of Gold and Citizen Illegal.Citizen Illegal was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize; it was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. His poems are featured alongside photographs by Antonio Salazar in the multi-disciplinary poetic work, Por Siempre.
Britteney Black Rose Kapri is a semi-retired teaching artist, writer, performance poet, and playwright from Chicago. She has been published in Poetry, Vinyl, Day One, Seven Scribes, The Offing and Kinfolks Quarterly. She is a 2015 Rona Jaffe Writers Award Recipient. Her debut book Black Queer Hoe was released in 2018 through Haymarket Books.
Rachel “Raych” Jackson is a writer, educator, and performer whose poems have gained over 2 million views on YouTube. Jackson continues to instruct workshops through the Poetry Foundation, InsideOut Literary Arts, and more. She pushes educators to implement culturally relevant poetry within their curriculum using her five years of experience teaching in Chicago Public Schools. Jackson’s work has been published by many— including Poetry, The Rumpus, The Shallow Ends, and Washington Square Review. Her debut collection Even the Saints Audition won Best New Poetry Collection by a Chicagoan from Chicago Reader in 2019. Jackson currently lives in Chicago.
Vic Chávez is a queer Mexican poet from the Chicago suburb of Berwyn. They have a BA in Creative Writing from Columbia College Chicago, where they were an assistant editor for Columbia Poetry Review and an assistant copyeditor for Hair Trigger. Their work has been published in Southside Weekly, Breakbeat Poets Vol. 4: LatiNEXT, and in Columbia College’s Poetry Review and Allium Journal. Find Vic on Twitter and IG at @_vichavez.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance at https://www.eventbrite.com/e/open-door-jose-olivarez-britteney-kapri-vic-chavez-raych-jackson-tickets-488760745547
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance at https://www.eventbrite.com/e/open-door-jose-olivarez-britteney-kapri-vic-chavez-raych-jackson-tickets-488760745547
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide at https://www.poetryfoundation.org/visit/accessibility
About the Virtual Event
Join us for a conversation with artist Martine Syms, whose solo exhibition Martine Syms: She Mad Season One is on view at the MCA through February 12.
Syms is joined by exhibition curator Jadine Collingwood, assistant curator at the MCA, and Dr. Allyson Nadia Field, professor at the University of Chicago, whose research focuses on African American film from silent-era cinema to the present. The three discuss Syms’s practice, extending their dialogue to include the past—and the present—of Black cinema and media production.
MCA Talks highlight cutting-edge thinking and contemporary art practices across disciplines. This presentation is organized by Daniel Atkinson, Manager of Learning, Adult Interpretive Programs, and the MCA’s Visual Art and Learning teams. Special thanks to Dr. Michael Anthony Turcios, Mancoch Postdoctoral Fellow at Northwestern University, for development of this program.
This event takes place on Zoom. ASL interpretation and CART captioning provided
Cost: Free or Pay What You Can
Combining improvisation with sculpture, sound, and lights, M___ER taps into the tangled relationships we have with familiar people and things to examine the shifting dynamics of intimacy between audience members’ senses of self, others, and objects. The title suggests various interpretations of its missing letters; the performance itself addresses ideas such as “mother,” “murder,” and “matter,” while still leaving room for ambiguity. M___ER is a nonlinear, scenic examination of entanglements, from mothers to matter. Investigating relationships that are common to almost everyone, the performance probes the precarity inherent to physical proximity or emotional closeness.
Using her training as an improviser and the inexhaustible possibilities each audience member brings, Knight’s work regularly puts Black femmes—often herself—in contested and confrontational positions of power. Knight guides her audiences through indeterminate situations that illuminate the relationships at play in performance and in our everyday lives. The controlled chaos of these mysterious group interactions provokes laughter and occasional discomfort, using irrationality to make meaning out of our contemporary culture.
Wired is an immense and intimate experience that traces the fine line between “us” and “them” through aerial and contemporary dance and the metaphoric use of barbed wire. The dancers of Wired spin and soar together in this meditation in sound, light, and movement on the gendered, racial, and disability stories of barbed wire in the United States, showing how this material shapes common understandings of who belongs. Barbed wire is designed as a material for containment. It is used, time and again, to limit individual and community movements and delineate boundaries as large as a nation state and as small as a personal fence. In Wired, this fraught material comes to highlight not only danger and contradiction, but also beauty and interconnection.
To create Wired, the artists of Kinetic Light—Alice Sheppard, Laurel Lawson, Jerron Herman, and Michael Maag—and their collaborators—composers Ailís Ní Ríain and LeahAnn Mitchell and scenic designer Josephine Shokrian—defy both gravity and assumptions about what dance can be. The artists of Kinetic Light see interdependence as a political position as well as an approach to making dance from a disability aesthetic: in which disability is a powerful creative and cultural force, and the many ways of accessing the performance are the art itself.
ASL interpretation and AD are available for all shows. There is no spoken dialogue in Wired. Audio description is available through Kinetic Light’s app, Audimance. More information will be provided to ticketholders by email in advance. Orientation to and demonstration of the app will be available in the lobby prior to all shows, along with a tactile exhibit that serves as an introduction to the Wired set, props, costumes, and theatrical elements.
Wired content and artistry will remain the same for all performances. The show shares many aspects of MCA’s Relaxed Performances. Audience members are welcome to exit and reenter.
Light haze is present in certain sections. There are no strobe lighting effects. Quiet spaces and stimulation kits are available for all performances.
The show will be livestreamed on Saturday, including ASL, with one channel being audio described. Friday and Sunday’s performances will offer an alternative lighting design.